More Rope, Pope and Dope than Cape and Music Nowadays : David Marks Looks at Music in South Africa
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These items were donated by David Marks and have been digitised with permission from the donor with funding from the Volkswagen Foundation. These items may only be used for research/academic purposes and not for commercial purposes. These items may not be copied, disseminated, published, exhibited, reproduced or broadcast in any manner or form without the written permission of one of the following parties: The Documentation Centre for Music (DOMUS), Stellenbosch University or the Assignee or SAMRO (Southern African Music Rights Organisation) or an affiliated performing rights society. The Documentation Centre for Music (DOMUS), Stellenbosch University, as custodian of these collections, should be notified when permission for copying, dissemination, publishing, exhibiting, reproduction or broadcasting is obtained from the Assignee or SAMRO (Southern African Music Rights Organisation) or an affiliated performing rights society. Citation: State that the original documents are part of the Hidden Years Music Archive, held at the Documentation Centre for Music (DOMUS), Stellenbosch University and provide the link to the item.Copyright David Marks
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The article discusses the evolution of music, particularly rock in varying countries whilst commenting on state attempts to control the industry especially during the 1970s. Varying mentions of artists as well as the state of music within a political lens has also been included.