Please Save Us From Fantasies
Date
19--Format Extent
1 pageRights
These items were donated by David Marks and have been digitised with permission from the donor with funding from the Volkswagen Foundation. These items may only be used for research/academic purposes and not for commercial purposes. These items may not be copied, disseminated, published, exhibited, reproduced or broadcast in any manner or form without the written permission of one of the following parties: The Documentation Centre for Music (DOMUS), Stellenbosch University or the Assignee or SAMRO (Southern African Music Rights Organisation) or an affiliated performing rights society. The Documentation Centre for Music (DOMUS), Stellenbosch University, as custodian of these collections, should be notified when permission for copying, dissemination, publishing, exhibiting, reproduction or broadcasting is obtained from the Assignee or SAMRO (Southern African Music Rights Organisation) or an affiliated performing rights society. Citation: State that the original documents are part of the Hidden Years Music Archive, held at the Documentation Centre for Music (DOMUS), Stellenbosch University and provide the link to the item.Copyright David Marks
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The author reviews the Brian Finch-Kenny Henson debut album, "Playgrounds in Paradise". The review is critical in nature and focuses on instrumental recording issues and a distasteful finished product. A black and white photograph is attached to the article which depicts Kenny Henson and Brian Finch side by side.