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dc.contributor.authorKrige, Uys
dc.date.accessioned2021-09-09T16:01:08Z
dc.date.available2021-09-09T16:01:08Z
dc.date.issued19--
dc.identifier19
dc.identifier.other31
dc.identifier.urihttp://hdl.handle.net/10019.2/17320
dc.descriptionBottom of article has been ripped.
dc.description.abstractThe article reflects on the notion of banning material, as seen in the American context, and includes the implications thereof.
dc.format.extent1 page
dc.format.mediumPrint
dc.language.isoen
dc.rightsThese items were donated by David Marks and have been digitised with permission from the donor with funding from the Volkswagen Foundation. These items may only be used for research/academic purposes and not for commercial purposes. These items may not be copied, disseminated, published, exhibited, reproduced or broadcast in any manner or form without the written permission of one of the following parties: The Documentation Centre for Music (DOMUS), Stellenbosch University or the Assignee or SAMRO (Southern African Music Rights Organisation) or an affiliated performing rights society. The Documentation Centre for Music (DOMUS), Stellenbosch University, as custodian of these collections, should be notified when permission for copying, dissemination, publishing, exhibiting, reproduction or broadcasting is obtained from the Assignee or SAMRO (Southern African Music Rights Organisation) or an affiliated performing rights society. Citation: State that the original documents are part of the Hidden Years Music Archive, held at the Documentation Centre for Music (DOMUS), Stellenbosch University and provide the link to the item.
dc.sourceHidden Years Music Archive, HY, DOMUS
dc.subjectMusic -- South Africaen_ZA
dc.subjectPopular musicen_ZA
dc.subjectMarks, David, 1944-en_ZA
dc.titleThe Ultimate Evilen_ZA
dc.rights.holderCopyright David Marks


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